Les Aventuriers de l'absolu. Both Hopkins and Lawrence were religious not just in the ritualistic sense but in the sense of being obsessed with the word — the word made life and truth — with the need to invent a language as direct as religious utterance.
The Impact of Modernism: Both found themselves driven into writing in a way which their contemporaries did not understand or respond to yet was inevitable to each in his pursuit of truth. One, a poet, went babbling like a fountain Through parks.
Acercamiento a la modernidad literaria. The Birth of Modernism. In 20th Century Literary Criticism: At the same time, he was no traditionalist of the sort who pines for the vanished lace and satin of Baroque Catholicism. And none has nurtured a greater sense of inadequacy.
In Woolf, The Common Reader, 1st. At such moments, it is tempting to stop reading the text altogether and simply immerse oneself in the pictures. Of course, the entire effort is to put myself Outside the ordinary range Of what are called statistics.
Revista de Occidente Cursos e Congresos da Universidade de Santiago de Compostela, Berlin and New York: This was also the period, not at all coincidentally, of the first great flowering of his distinctive style as a painter, engraver, and illustrator.
Internet resources Index of web Sites on Modernism. Moreover, his two major works offer few rewards to the casual reader. The whole narrative, in fact, can be distilled into a few compact paragraphs without significant omission.
At the last, however, he issued his second great work, The Anathemata, which some would argue was his supreme literary achievement. The Revolution in Literature But for the poet there is the danger of disintegration of poetry into paraphrase, examination of technique, influences, all analysed in the language of criticism.
He continued to produce paintings and illustrations with reasonable consistency, and earned very good notices, but at his writing he labored slowly and irregularly, and it appeared for a time as if—having produced a single remarkable large poem—he would now devote himself exclusively to visual art.
A Literary Guide—suggests with eloquent concision the irreducible multiplicity one must confront in navigating the tangled terrain of what we call modernist literature.
One bullet in ten thousand kills a man. Indiana UP, ; London: Macmillan, Collier Books, Another particularly debilitating nervous breakdown in diverted him from his poetry and from everything else for a while, and he continued to struggle with bouts of depression and episodes of erotic frustration.
Opening, my eyes say 'Let there be light', Closing, they shut me in a coffin. Translation and the Languages of Modernism: Here of course there is a difference between Hopkins and Lawrence, because Hopkins in his art was perhaps over-worried, over-conscientious, whereas Lawrence was an instinctive poet who, in his concern for truth, understood little of the problems of poetic form, although he held strong views about them.
Bergson and the Vitalist Controversy. He loved the scholastic period and spoke earnestly of the spiritual nourishment that Aquinas and Scotus had provided him.
It is easier to ignore Than the heroes' sunset fire Of death plunged in their willed desire Raging with flags on the world's shore. U of Wisconsin P, For these alone, the volume is more than worth its price.
The Sovereignty of the Artist For supposing that they achieved their utmost and destroyed our civilization, whoever survived would judge them by a few statements. Fog refracted, losing articulation in the cloying damp, the word of command unmade in its passage, mischiefed of the opaque air, mutated, bereaved of content, become an incoherent uttering, a curious bent cry out of the smarting drift, lost altogether—yet making rise again the grey bundles where they lie.
In Theory of the Novel: One in a garret Read books as though he broke up flints. Stephen Spender (February 28, – July 16, ) was an English poet and essayist who focused on themes of social injustice and the class struggle in his work. Contents 1 Quotes. Stephen Spender, Struggle of the Modern () Modern art is that in which the artist reflects awareness of an unprecedented modern situation in its form and idiom.
The quality which I call modern shows in the realized sensibility of style and form more than in subject matter.
Stephen Spender was a member of the generation of British poets who came to prominence in the s, a group—sometimes referred to as the Oxford Poets—that included W. H.
Auden, Christopher Isherwood, C. Day Lewis, and Louis MacNeice. Eysteinsson has observed, is a “highly troublesome signifier” (Concept of Mod - has also emphasized, the critical concept of modernism has altered continually over time, taking on different values and characteristics as different compara- special issue of the Journal of Modern Literature, “What Modernism Was.”.
by Stephen Metcalf at turnonepoundintoonemillion.com (7 February ) There is a certain justice in criticism. The critic is like a midwife — a tyrannical midwife. Lecture at Brooklyn College, The Struggle of the Modern Review of Stephen Spender: A Life in Modernism () by David Leeming at turnonepoundintoonemillion.com Yeats, Eliot, and Auden thought him a genius—as did Stravinsky, Herbert Read, Christopher Dawson, Stephen Spender, Evelyn Waugh, Basil Bunting, R.
S. Thomas, Geoffrey Hill, and many others. But still, to this day, his admirers are anything but legion; they constitute at most a coterie.The concept of modernism in stephen spenders the struggle of the modern